Major Book Fairs in India

Don’t you hate it when you miss a book fair just because you didn’t know when it came to town—and left?

India is one of the ten biggest book publishing centres in the world, according to the Mumbai International Book Fair website, and is only third, after USA and UK for English titles.

Book fairs are not only fun to visit for good book deals, they are also a place to discover new authors, books and friends. This apart, you get to participate in literary and cultural programmes, listen to poetry recitals by famous poets and interact with authors, which are especially conducted during these fairs and a rare treat for those who enjoy and appreciate the marvels of the written word.

We’re talking about major book fairs in India, not exhibitions where a bookstore offers a discount sale on leftover books to clear stock. Major book fairs are large events in which publishers, book stores and people related to the publishing industry put up stalls to promote reading, writing, literature and, of course, to sell their books and promote new releases.

There is no single place on the Internet where you can get extensive information about all the major book fairs in India, so we thought we’d do some research and put one together.

Here is a listing of major book fairs in India, zone-wise, along with the dates during which they are generally conducted so you can plan ahead and be there.

North India

  • Delhi – There are two types of major book fairs held here. The Delhi Book Fair, organised by the India Trade Promotion Organisation (ITPO), in its 16th year, will be held from 25 Dec 2010 to 2 Jan 2011 at Pragati Maidan. It drew three lakh visitors last year. The date for the fair is not constant—for instance, the next fair will be from Aug 29–Sep 6, 2011.
    The other major book fair in Delhi is also held in Pragati Maidan but is called the New Delhi World Book Fair and is organized once in two years by NBT. In its 19th year now, this fair was held from 30 Jan–7 Feb 2010, so the next one will be in 2012. This, according to NBT, is the biggest book fair in the Afro-Asian Region and attracts exhibitors both from India and abroad.
  • Jaipur – The Dainik Bhaskar Book Fair was held between 24 Sept and 3 Oct 2010, at the outer area of SMS Stadium, near Ambedkar Circle. Dates and venue differ. Dainik Bhaskar also conducts book fairs in several other places in North and Central India. Please check http://www.bhaskar.com for more information.
  • Noida – The 4th Noida Book & Stationery Fair organised by Udichi and TradexpoIndia will be conducted at GIP Mall, Sec 18, Atta Market, Noida from 27 Nov–5 Dec 2010. It is an annual fair, conducted simultaneously with Edufiesta, an education fair that draws a large number of students.

South India

  • Chennai Chennai Book Fair or Madras Book Fair is an annual book fair organized in Chennai by the Booksellers and Publishers Association of South India. The fair lasts for about 10 days and is held between December and January. The fair is one of the important cultural events every year, and has been around a long time—the 33rd fair was held in January 2010.
  • Hyderabad – The 25th Hyderabad Book Fair will be organized from 16th to 26th Dec 2010, at People’s Plaza Ground, Necklace Road. The fair is usually held around the same dates every year.  Since this is the silver jubilee year, the fair promises special attractions. More at http://hyderabadbookfair.com.
  • Bengaluru – The Bangalore Book Fair, organised by the Bangalore Booksellers and Publishers Association, in its sixth year now, was conducted in Palace Grounds from 12­–21 November 2010. This major book fair is said to be the second largest in the country and is generally held in November. It draws more than 1 lakh visitors and has revenue in several crore rupees.
  • Vijayawada – The Vijayawada Book Festival Society (VBFS) has been organizing book festivals on the lines of the National Book Trust (NBT) since 1989. They organize several events such as ‘Walk for Books’, celebrating birth centenaries of eminent Telugu writers, competitions for students, to name a few. These events do not need an entry ticket. The Vijayawada Book Festival is held from 1–11 January every year.
  • Kochi – In its 14th year now, the Kochi International Book Festival, organized by the Antharashtra Pusthakotsava Samithy, Kochi, is held from 26 Nov–6 Dec 2010 at the Ernakulathappan Grounds. Their focus, they say, is the book lover rather than the publisher and book seller. Several literary events are organised, too.
  • Thiruvananthapuram – In the Tehelka Readership Survey 2010, it was found that the maximum monthly spend on books in India was in Thiruvananthapuram (Rs 569.50). The Thiruvananthapuram Book Fair, organised by the Department of Culture, Government of Kerala, is held from 18­­–26 December at Kanakakkunnu Palace and is part of the Grand Kerala Shopping Festival. This time, a children’s writers and publisher’s workshop will also be a part of it.

West India

  • Mumbai – The Mumbai International Book Fair (MIBF), organised by the Good Governance India Foundation, a trust dedicated to the promotion of literacy and reading as a habit, is held in January every year in the Bandra-Kurla complex.
  • Pune – The 9th Pune Book Fair (PBF), supported by the Maharashtra Sahitya Parishad, was a 5-day fair conducted from 20–24 October 2010 at Kamayani grounds in Patrakarnagar. While the fair is held every year, the date and venue differ.

East India

  • Kolkata – The largest book fair in India is the Kolkata Book Fair. In its 34th year, it was held from 27 Jan–7 Feb in 2010. Many foreign countries participate and there is a theme each year dedicated to literature from one country. Awards to authors for lifetime achievement and promising writer were given this year. The dates for the next fair are 26 Jan–6 Feb 2011, with the focal theme: USA. The entry will be free in 2011 in homage to its being the 150th birth year of Rabindranath Tagore. More at www.kolkatabookfaironline.com

The National Book Trust (NBT), India, organises several book fairs across India. From their website: The National Book Trust, India, established in 1957 for the promotion of books and to inculcate book culture in India, organises book fairs/festivals at local, regional and national levels. To look for the upcoming fair (2010-11) in your neighbourhood, please visit http://www.nbtindia.org.in/download/NOV2010/NBFairs1011.pdf . For later fairs, please visit the NBT website at http://www.nbtindia.org.in.

Interview with Nikesh Rathi: Author of Somewhere@Nowhere

Nikesh originally self-published his book through Pothi.com after which the book was accepted and published by PustakMahal.

Pothi: Nikesh, congratulations on getting your book published by Pustak Mahal! Tell us something about yourself.

Nikesh: I belong to Raipur, have done most of my schooling at Baroda, my engineering at NIT, Bhopal and MBA at IIM, Lucknow (2008). I have worked in IT and FMCG industries for some time before moving to education sector recently. Currently I am working with the academics team at IMS Learning Resources, Mumbai. I have lived in several places in India.

Apart from writing, I am interested in reading, watching movies, quizzing, cricket and travelling.

Pothi: Where can we find your book on the Web?

Nikesh: It is available with several leading online stores: Flipkart, Infibeam, Indiaplaza, Amazon (Kindle version), etc.

Pothi: Favourite author/book? Name the one that made the biggest impact on you.

Nikesh: It is difficult to single out a book but some of my favourites are: 1984 and Animal Farm (both by George Orwell), To Kill a Mockingbird (Harper Lee), Catcher in the Rye (J D Salinger), Hitchhiker’s Guide to the Galaxy (Douglas Adams), Shantaram (Gregory David Roberts), Fountainhead and Atlas Shrugged (Ayn Rand), The Prophet (Khalil Gibran), The Godfather (Mario Puzo) and The Day of the Jackal (Frederick Forsyth).

Pothi: How did you get the idea to write a novel? Is it a novel? Memoir? Fiction based on real life?

Nikesh: It was a mix of various factors. It was something which I always wanted to do!

I have been somewhat creative throughout my life but this had been mostly limited to blogs, short stories, few articles in college publications or just cracking PJs! There was always an urge to do something more, maybe on a larger platform and this is where I got this idea to write a book. I started and abandoned the project a few times, but eventually I got going and wrote it.

It is a work of fiction, but at some level it has been influenced by my life—my beliefs, opinions, travels or experiences while working in FMCG industry, a result of watching too many movies, a reflection of my confused self or just a figment of my imagination!

I guess there will be people reading between the lines, and there is nothing I can do about it. Maybe, if this happens I can consider it as a good omen!

Pothi: What is your favourite part/passage/chapter from the book?

Nikesh: Impossible to single out any one!

Pothi: How much time and effort did it take to finish the book?

Nikesh: It took a few months to write. It kind of followed Pareto’s principle—the first 80% took 20% of the time! That was when a basic skeleton was ready. Then it was all about revising it, re-revising it, re-re-revising it and so on. Theoretically there is no end to it. This went on for almost around a few months. Most of that time was used in giving ‘finishing touches’!

The process was quite interesting and it often involved stretching my imagination and kind of living two lives—one real, and other one virtual, imagining what the book’s “hero” would be doing! Once the image was ready, putting it into words and what would finally come out was a lot different from what I had initially imagined.

Pothi: How was your publishing experience? Any advice for new authors?

Nikesh: The publishing experience was a kind of mixed bag. To begin with, I was a ‘nobody,’ sending an unsolicited manuscript to publishers. There were publishers who never replied, there were some who rejected it outright and there were some who wanted to make major changes to the content to make the book more ‘spicy’!

I eventually decided to go ahead with self-publishing on Pothi.com and the feedback was quite encouraging.

Later on, Pothi sent me a mail regarding a competition by Cedar Books. I participated in it and my book was selected for publishing.

As far as writing a book is concerned, I think getting started is the most difficult part. Once you break that inertia, you have set the ball rolling.

To begin with, self-publishing provides a wonderful opportunity to showcase your work. Also, since there are no major copyright issues or other legalities involved, switching to a traditional publisher (the advantage in this is the reach of their distribution channel) is hassle free. With pothi.com, they were quite responsive and willing to help and also have a transparent system in place, which makes the self-publishing (especially for a new writer) experience a lot more comfortable.

Pothi: Did you find the experience of self-publishing worthwhile? What more would you like to see?

Nikesh: Absolutely! Self-publishing is a wonderful opportunity as it lowers the barriers to become a published writer.

Also, it lets you control your content as some of the traditional publishers dictate terms about content. It is like you have a movie ready and the producer comes and says, “This won’t work. Add a few item songs, introduce a love story as a sub-plot, put in more masala and make it spicy.” If you are comfortable with it, it might work in your favour, but as an author I felt that my book should be what I want it to be.

Self-publishing is a relatively new concept in India and its reach is quite limited. So, if I write a book, not many people outside my immediate friends circle might know about it.

Going ahead, I would like to see self-publishing sites having tie-ups with retail channels (especially online ones like Flipkart). This might help in giving authors a wider reach.

Pothi: Plans to write more going forward?

Nikesh: Definitely. But I would try to steer clear of all those life/love at IIT/ IIM kind of stories!

Pothi: Thanks for talking with us, Nikesh, and all the best for your writing endeavours!

Nikesh originally self-published his book through Pothi.com after which the book was accepted and published by PustakMahal (http://www.pustakmahal.com/book/book/bid,,9546B/isbn:9788122311303/index.html).

 

Pothi: Nikesh, congratulations on getting your book published by Pustak Mahal! Tell us something about yourself.

 

Nikesh: I belong to Raipur, have done most of my schooling at Baroda, my engineering at NIT, Bhopal and MBA at IIM, Lucknow (2008). I have worked in IT and FMCG industries for some time before moving to education sector recently. Currently I am working with the academics team at IMS Learning Resources, Mumbai. I have lived in several places in India.

 

Apart from writing, I am interested in reading, watching movies, quizzing, cricket and travelling.

 

Pothi: Where can we find your book on the Web?

 

Nikesh: It is available with several leading online stores: Flipkart, Infibeam, Indiaplaza, Amazon (Kindle version), etc.

 

Pothi: Favourite author/book? Name the one that made the biggest impact on you.

 

Nikesh: It is difficult to single out a book but some of my favourites are: 1984 and Animal Farm (both by George Orwell), To Kill a Mockingbird (Harper Lee), Catcher in the Rye (J D Salinger), Hitchhiker’s Guide to the Galaxy (Douglas Adams), Shantaram (Gregory David Roberts), Fountainhead and Atlas Shrugged (Ayn Rand), The Prophet (Khalil Gibran), The Godfather (Mario Puzo) and The Day of the Jackal (Frederick Forsyth).

 

Pothi: How did you get the idea to write a novel? Is it a novel? Memoir? Fiction based on real life?

Nikesh: It was a mix of various factors. It was something which I always wanted to do!

I have been somewhat creative throughout my life but this had been mostly limited to blogs, short stories, few articles in college publications or just cracking PJs! There was always an urge to do something more, maybe on a larger platform and this is where I got this idea to write a book. I started and abandoned the project a few times, but eventually I got going and wrote it.

It is a work of fiction, but at some level it has been influenced by my life—my beliefs, opinions, travels or experiences while working in FMCG industry, a result of watching too many movies, a reflection of my confused self or just a figment of my imagination!

I guess there will be people reading between the lines, and there is nothing I can do about it. Maybe, if this happens I can consider it as a good omen!

Pothi: What is your favourite part/passage/chapter from the book?

 

Nikesh: Impossible to single out any one!

 

Pothi: How much time and effort did it take to finish the book?

 

Nikesh: It took a few months to write. It kind of followed Pareto’s principle—the first 80% took 20% of the time! That was when a basic skeleton was ready. Then it was all about revising it, re-revising it, re-re-revising it and so on. Theoretically there is no end to it. This went on for almost around a few months. Most of that time was used in giving ‘finishing touches’!

 

The process was quite interesting and it often involved stretching my imagination and kind of living two lives—one real, and other one virtual, imagining what the book’s “hero” would be doing! Once the image was ready, putting it into words and what would finally come out was a lot different from what I had initially imagined.

 

Pothi: How was your publishing experience? Any advice for new authors?

 

Nikesh: The publishing experience was a kind of mixed bag. To begin with, I was a ‘nobody,’ sending an unsolicited manuscript to publishers. There were publishers who never replied, there were some who rejected it outright and there were some who wanted to make major changes to the content to make the book more ‘spicy’!

 

I eventually decided to go ahead with self-publishing on Pothi.com and the feedback was quite encouraging.

 

Later on, Pothi sent me a mail regarding a competition by Cedar Books. I participated in it and my book was selected for publishing.

 

As far as writing a book is concerned, I think getting started is the most difficult part. Once you break that inertia, you have set the ball rolling.

 

To begin with, self-publishing provides a wonderful opportunity to showcase your work. Also, since there are no major copyright issues or other legalities involved, switching to a traditional publisher (the advantage in this is the reach of their distribution channel) is hassle free. With pothi.com, they were quite responsive and willing to help and also have a transparent system in place, which makes the self-publishing (especially for a new writer) experience a lot more comfortable.

 

Pothi: Did you find the experience of self-publishing worthwhile? What more would you like to see?

 

Nikesh: Absolutely! Self-publishing is a wonderful opportunity as it lowers the barriers to become a published writer.

 

Also, it lets you control your content as some of the traditional publishers dictate terms about content. It is like you have a movie ready and the producer comes and says, “This won’t work. Add a few item songs, introduce a love story as a sub-plot, put in more masala and make it spicy.” If you are comfortable with it, it might work in your favour, but as an author I felt that my book should be what I want it to be.

 

Self-publishing is a relatively new concept in India and its reach is quite limited. So, if I write a book, not many people outside my immediate friends circle might know about it.

 

Going ahead, I would like to see self-publishing sites having tie-ups with retail channels (especially online ones like Flipkart). This might help in giving authors a wider reach.

 

Pothi: Plans to write more going forward?

 

Nikesh: Definitely. But I would try to steer clear of all those life/love at IIT/ IIM kind of stories!

 

Pothi: Thanks for talking with us, Nikesh, and all the best for your writing endeavours!

Book Review: Kashmiryat at Crossroads

Kashmiryat at Crossroads – The search for a destiny
by P Parimoo

Type: Print Book
Genre: Politics and Society
Price: Rs 325.00 + shipping

Of the many special places in India, Kashmir is surely one of the most beautiful. It is fascinating for many reasons including its proximity to the Himalayas, the snow and its other-worldly scenery. Now, a further reason draws our interest to the place: the political situation. This book brings alive Kashmir right from the early years of the last century up to the present.

Based on the diaries of the Late Pandit Dina Nath Parimoo who was born in Srinagar in 1911, this book is full of vivid descriptions of his first-hand experiences in Kashmir until the middle of 20th century. It takes the reader to Kashmir in the olden days with rich glimpses into the life of an ordinary Kashmiri, the culture, history, social and economic conditions, the political scenario, spirituality and religion of Kashmir. The book includes photographs, song lyrics and details of Kashmiri ceremonies and food that make for delightful reading.

“Frequent cups of kehwa chai were sipped till late at night by all the participants and the elderly onlookers. This whole leaf tea is specially prepared in Samovars, a central Asian contraption adopted in Kashmir since ages. Small cinnamon pieces and small cardamom are used to flavour the brew; lightly crushed almond imparts a garnishing. No milk is added to this tea. The tradition bound Pandit would have his kehwa or Mogal chai only from a khasu, a brass cup without a handle, edges gently tapered outwards to facilitate very slow sipping.

We also catch glimpses of ancient Kashmir, its kings and other influential people, the fascinating things they did including conservation of nature, something the present government has undertaken only recently. Alongside we discover the desperately poor health conditions that prevailed early on and the disease this brought about. We see how Buddhism and Islam made their presence here and how the religious battles began and continue.

The book is written by the Pandit’s son, P Parimoo, who, though a technocrat by training, is an avid reader of history, particularly the history of religions.

This is a work of a lifetime for the family involved in putting it together as well as for anyone interested in learning about Kashmir. Although well written and very readable, the text could have been further improved with a round of professional editing.

– Hasmita Chander

Six Tips for Indian Writers on How to Write Better

For people whose native tongue is an Indian language, it is difficult to write error-free English. Even those who speak English all the time but live in India cannot avoid the Indian-ness that seeps into their language, both spoken and written.

  1. Avoid literal translation

    For new Indian writers, there is a strong tendency to literally translate from their mother tongue into English.Each language has a specific structure, without which the language would collapse or turn into something ridiculous. For example, in French, most adjectives are placed after the noun, such as ‘une chaise bleue’. If translated word-for-word into English, this becomes ‘a chair blue’ instead of what it should be: a blue chair. Imagine reading a sentence like this:“There were chairs blue, tables of wood, cushions red and music soft playing.”

    This is how a reader feels while reading English that has been directly translated from an Indian language. The result is confused, sometimes hilarious, meaning.

    You may have read these often:

    • “Don’t eat my head!”
      (Kannada: Nanna thale thinnbeda)
      Try: “Stop it. You’re getting on my nerves!”
    • “Don’t be angry on me.”
      (Hindi: Mujhpe gussa mat karo)
      Use: “Don’t be angry with me.”
    • “We all are going out.”
      (Hindi: Hum sab bahar ja rahe hain)
      Use: “We are all going out.”

    Keep a watch on these literal translations.

  2. Original idioms, please

    English has its own set of idioms and sayings—use them and not the translation of Indian ones. Idioms have a strong cultural and historical root, so they are best used word for word and in the original language.The Hindi ‘Daal mein kuchh kaala hai’ has the English idiom equivalent: ‘There’s something fishy going on’. Instead of the Tamil ‘Kazhudaikki theriyuma karpoora vaasanai’ use ‘To cast pearls before swine’. Not all sayings have equivalents, however. The best way to become familiar with what’s available is to read a lot. Looking up a book of English proverbs doesn’t always help unless there are a few examples for each included and the author is a reliable one. Online, have a look at Idiom Dictionary (http://www.idiomdictionary.com).

  3. Keep track of time
    Till a sentence back, you ‘were’ thinking. Suddenly you ‘are’ feeling. You may not realize it while writing and this switch may even sound natural because we often think haphazardly, but while writing, you need to maintain consistency in tense or you’ll distract or confuse the reader about whether something happened in the past or is happening in the present.Take a look at this example:

    Veena walked up the path to Mr Wood’s house. She is thinking she should knock but what if he is sleeping? She doesn’t want to disturb him and get him in a bad mood. That is why she could not make a sale. She had irritated him.

    Is Veena walking to Mr Wood’s door as we read? Or has she already walked and come back after a failed attempt at making a sale?

    Double check if you’re switching tenses in your writing without the story demanding it. Sometimes it is necessary to change tenses, say for a time when you’re narrating a scene in a flashback as if it’s happening right before the reader. But if you’re a new writer, stick to a single choice of tense throughout and you won’t go wrong.  Once you become confident of using tenses properly, you can try using more than one.

  4. Unclutter your punctuation

    There is a tendency to use exclamations in proportion to the amount of surprise or shock.

    E.g. A mountain gorilla was standing before him!!!!!!!!!

    Another is to intersperse the exclamations with question marks.

    E.g. Was the hunk eyeing her?!?!?!

    Please. Stick to one punctuation mark. “A mountain gorilla was standing before him!” shows surprise enough. “Was the hunk eyeing her?” will do. Trust readers to get the quantity of shock or wonder you intend. And trust your writing skills to convey the situation so that they do.

    English punctuation rules do not accept a combination of ? and ! or multiple exclamations. A few style books have begun to accept one pair of ?! but most do not.

    Many new writers like to create an ‘effect’ by trailing dots after a sentence.

    E.g. She stood before him……………in the black dress he had given her……

    The punctuation that uses dots is called an ellipsis and consists of three dots (…). No more, no less. Sometimes, you want to trail off a sentence and end it that way. Then you follow the ellipsis with a full stop, which then totals four dots.

    E.g. And there she waited for him every day….

    Multiple exclamation marks and generous strings of dots reek of amateur writing. Knock them off. These are simple ways to make your writing look professional.

  5. Articles gone AWOL

    Can you eat a curry with no salt? Similarly, you cannot write without articles. If you’ve forgotten the basics of when to use ‘the’ or ‘a’ or ‘an,’ please pick up a simple grammar book and leaf through it (you can do it with a torch, hiding in a cupboard if you like—but do it). Simpler still, visit a grammar site online, bookmark it and refer to it when in doubt. You don’t visit Taj Mahal, you visit THE Taj Mahal.It’s never too late to learn, and these are simple rules that, when followed, make your writing come alive. The rules exist to help you remember, not to make your life difficult.

  6. Remove redundancy

    Find the repetitious words in the following:

    1. That store sells many delights such as cookies, cakes, toffees, chocolates, etc.
    2. I have never heard of this before.
    3. I will read this and return it back to you.
    4. Keep this money, in case you may need it later.
    5. I bought a red colour dress.

    In the first example, when you say ‘such as,’ you don’t need the etcetera. ‘Such as’ means this is only an indicative list. In the next, ‘never’ and ‘before’ are saying the same thing. If you’ve never seen it, there’s no need to say ‘before’. In the third sentence, if you’re going to return something, you’re obviously giving it back, so ‘back’ is redundant.  ‘In case’ indicates a possibility, so use ‘in case’ OR ‘may’ – in case you need it later – or Keep this money, you may need it later. Red is a colour. Duh.

    But new writers love to inject their writing with crystal clarity by providing extra words to help their slow readers. These writers will make you enter into a room, not just enter it, just as they’ll help you exit from the story instead of quickly exiting it.

Here’s a secret: there is no shortcut to writing happiness.

Read that again.

You can’t press a key and make it happen. Anyone can write, but to write well and communicate effectively, you need to put in effort, just as you would for any other skill. Read a lot and read books of quality writing. Reading even prize-winning children’s books can help you build familiarity with the language. Newspapers are not literature, so use those to get the news, not to improve your reading habits.

Write a lot, and get feedback from someone whose English is good, or at least better than yours. Get your writing edited by a professional editor and learn from the feedback and comments.

However, there is one place for weak English, even Indian English, and that is in dialogue. If your character speaks that way, you can use ‘Don’t eat my head’ in his dialogue. As long as you don’t use it yourself in the narration!

Destination for Book Lovers

Pothi.com at Bangalore Book Festival 2009Quiz question for bibliophiles: What’s better than browsing books in your favourite bookstore?

Answer: Browsing a million books in the Bangalore Book Festival!

Yes, that’s right, a million books. The Bangalore Book Festival is a synonym for book mania! Visit stall after stall of books, get introduced to new publishers, get juicy discounts, and take in the fragrance of newly printed books fresh off the press.

For the eighth year, the annual Bangalore Book Festival is set to occupy Palace Grounds in Bangalore from 12-21 November 2010. Only second to Kolkata, the Bangalore Book Festival, organised by the Bangalore Booksellers and Publishers Association and Klub Class, is the largest book fair in the country. Over 300 stalls have been taken by publishers, bookstores and distributors from all over India and will have on offer publications in English, Kannada and other Indian languages. That’s not all, there will be entertainment as well, with light music, folk dances, book reading sessions and special poet meets being held after six every evening of the fair.

Authors, you get to put your books before a huge number of book lovers—organisers expect 2 lakh visitors this year. Mr B S Raghuram, BBF programme director, says he expects a business of Rs 15 crore to be generated this year.

Pothi.com has been a regular participant at the Bangalore Book Festival since 2008 and will be there this year, too. The Pothi.com stall will help independent and self-published authors showcase their books to increase visibility and generate sales.

This is a rare opportunity for authors because people come to the fair from far and wide expressly to look for new reading material and with money to buy it. There is fierce competition, so authors should get their books out there where people can see them. Authors published through Pothi.com can visit here for more details. Other authors, head here. Book your space quickly so you don’t lose this special opportunity.

Announcing e-book publishing

e-books have finally arrived on Pothi.com 🙂

From our Press Release

Pothi.com Launches free e-book publishing platform with social DRM for authors and publishers

Pothi.com, India’s leading Print-on-Demand backed publishing platform has launched e-book publishing and selling for independent authors and publisher. The platform is free to use and authors get 75% of MRP as royalty.

Bangalore, July 12, 2010: Taking another step towards its mission of making publishing accessible to all, Bangalore based Pothi.com has added e-book publishing and selling to its publishing platform. The platform allows authors to sell e-books starting at Rs. 50/- or even give them away for free as a marketing tool. All the books sold through the store will use Social DRM which will allow tracking of the source in case of piracy.

Publishing through the platform is as simple as creating a word or openoffice file according to the guidelines provided and submitting it online. The platform takes care of generating the e-book files. There are no upfront costs and the authors get 75% of the MRP as royalty on sales from the Pothi.com store. They retain all the rights on the book as well as get full control over the pricing and availability. An online dashboard provides real time statistics of sales and earnings for all their books.

“E-books are gaining momentum all over the world. They represent an excellent opportunity for the authors and publishers to connect directly with the readers. Our aim is to enable them to make best use of the medium without getting overwhelmed with the technicalities”, says Jaya Jha, one of the co-founders of the company.

One of the common concerns regarding e-books is of piracy. To address piracy, a variety of Digital Rights Management (DRM) solutions are available from different vendors. DRM typically refers to the technologies which restrict the use of e-book in various ways to prevent piracy. However, existing DRM technologies are incompatible with each other and using DRMed e-books can become a hassle for the genuine buyers.

As an alternative to using vendor specific DRM, Pothi.com is offering social DRM. Social DRM puts no restrictions on the usage of the e-book but embeds some personal information of the buyer in the files. One common example is the name and contact information of the buyer. This discourages people from sharing the files on p2p networks while still giving them full flexibility of copying between their own devices. Thus Social DRM creates a win-win situation for both the parties. When a buyer downloads the purchased e-book from Pothi.com, his e-mail id is stamped in a non-obtrusive way on every page. It discourages piracy while still being convenient to the genuine buyers.

“Since e-books are available for immediate downloads, it is particularly helpful in situations where a reader needs instant access to the book’s content. Many international readers also prefer to buy e-books because they don’t want to wait out the shipping time. We were regularly receiving enquiries from our authors, who wanted to be able to provide e-books to such readers.” explains Abhaya Agarwal, who is also the co-founder of the company.

Further details and the catalog of books already published through the platform are available on Pothi.com’s website http://pothi.com

COMIX.INDIA Vol. II on Preorder (20% Discount)

COMIX.INDIA Vol IICOMIX.INDIA Vol II is now available for Preorder. There are a total of 12 entries in the volume containing 320 pages. Preorders are open till July 12, 2010. You can use the coupon code POCICOL and get a 20% discount!

Since this vol has grown up to 320 pages, we also created 2 smaller books each having 6 entries. If you want, you can buy one of the two smaller volumes which contain 164 pages each. These smaller books are available at 10% discount.

Check out more about COMIX.INDIA on their website.

COMIX.INDIA Vol II only became possible because of the combined effort of a dozen contributors, an editor and a designer. Read on to know more about this awesome bunch. Should we call them the Daring Dozensome?

Continue reading “COMIX.INDIA Vol. II on Preorder (20% Discount)”

Pothiz – July 2010 issue is out!

Pothiz - July 2010Check it out at http://pothi.com/pothi/magazine/issue/july-2010/

Here is a reproduction of “From the Publisher’s Desk” section –

Dear Readers,

It goes without saying that we take immense pleasure in presenting to you the inaugural issue of Pothiz – Pothi.com’s online magazine. We see Pothiz as a natural extension to our efforts of providing the young and unheard voices a platform where they could engage, be heard, get valuable feedback directly from their readers and flourish into wonderful wordsmiths. While Pothi.com remains an open platform for a variety of publishing endeavors, Pothiz is going to be a more curated collection of creative writings. Our hope is that this collection will encourage readers to delve into and discover the hidden gems in the proverbial “long tail” of writing.

We received close to a hundred entries and selecting a few for your reading pleasure was not an easy task. At Pothi.com, we particularly respect the fact the each individual has his or her own taste in reading and writing. So, apart from the entries that made it to the main issue, we are also going to put up some of the other entries we have received on the website. Do read them and give your praises or constructive feedback to the authors through comments.

Coming to the entries included in the issue, the Featured entry ‘The Soul is a Battery’ delighted us with its interesting and novel take on ghost stories. It entertains, it frightens and it leaves you nodding in agreement with the feelings of the characters. We hope you enjoy it as much as we did.

Amongst other stories, ‘The Matrimonial Clock’ will resonate particularly well with the urban career oriented professionals. It is a story of how they have to cope with the conflicting needs of matrimony and career. ‘Thirteen Hours of Fame’, ‘Practical Lessons’ and ‘The idiot’ are the stories about the opportunism, the hypocrisy, the good and the bad in common people – just like you and me.

While ‘Barberic Times’ and ‘God Promise’ are there to tickle you, ‘Goodbye Mrs. Boa’ is a sweet, but profound tribute to Boa Sr., the last speaker of Bo Language in Andaman islands. She died earlier this year. Other poems ‘City’s seasons’, ‘Elegy’, ‘Divine Sisterhood’, ‘बेटी होना का दर्द’ (The Pain of being a Daughter/Girl, Hindi) and ‘सूना बचपन‘ (Empty Childhood, Hindi) touch on the various stories, pleasures and pains of our human existence. ‘Oops! I made you a Daddy’ is a cute, little autobiography by a day old baby (ghost written by his father).

Finally, as you all battle with the fever of Football, do not forget to read the review for ‘Inverting the Pyramid’ by Jonathan Wilson. The book provides an interesting insight into how the gameplay has evolved over time and how the game is not just about the magical players!

We hope you enjoy the collection. Do send your feedback on the magazine and also on the individual entries. Entries are also invited for the next issue of the magazine. The deadline is July 16, 2010.

Pothi.com Team

The Cycle of Inspiration

Meena R. Shankar is a happy home-maker. A Sociology graduate with Masters in Social Work, she worked as an Asst. Professor before becoming a full time home-maker.

It was 25 years ago, when she was pregnant with her daughter, that she started writing. Over years, the poems she wrote covered a variety of subject and emotions. Her father and her husband encouraged her with their appreciation, expectations as well as critical feedback. Her husband Ramesh even compiled her poems as spiral bound diaries couple of years back.

Her daughter Aparna went a step ahead and decided to publish the book as a gift on her mother’s 50th birthday, completing the cycle of inspiration!

As she celebrates her 50 happy years in this world on June 18, 2010, with her husband Ramesh, son Vignesh, daughter Aparna, son-in-law Vikash and her soon-to-be-born grand child, we also join in to wish her a very Happy Birthday! May she continue to spread the song of life through her poetry for many years to come. Her poetry collection is available on Pothi.com.

The Hurdle in Unicode Adoption in Indian Languages – Print and Unicode Fonts

There is a dearth of quality User Generated Content in Indian Languages on Internet. There is User Generated Content, primarily created by techie enthusiasts. The newspapers have now come online. Some of them have actually moved to Unicode text, but many of them are still just converting their print papers to e-papers! Not a great way to putting discoverable content on Internet.

The content that is actually consumed by the Indian Language Market is mostly created for Print. Books, Newspapers etc. And the Unicode adoption there is low. There are historical reasons for that of course. Desktop Publishing Technologies came to publishing before Unicode had become prevalent. So, people in the industry got used to the non-standard fonts. Now if you move to Unicode, all the typists and the editors who work on typed content need to relearn the typing. Obviously, there is resistance. Plus many of the Desktop Publishing Software, still do not support the Complex Text Layout (CTL) needed for displaying Indian Languages correctly (see the previous post for understanding Complex Text Layout).

But there is another issue too. It is difficult to sell the idea to even the people higher up (who could possibly mandate the staff to relearn things and sanction purchase of right software), because good Unicode compatible fonts are not available. Speaking of Hindi, Mangal and Arial Unicode MS are two fonts available on Windows machine. Mangal just does not look good in print. Arial Unicode is slightly better, but people want more choices, while designing. A lot of Unicode fonts available from CDAC and other sites are downright ugly.

I am not sure of why better fonts are not coming to the market. Is it some kind of chicken and egg situation? The users would resist the change and hence not asking for the Unicode fonts. Companies making fonts, therefore, do not feel there is a market for Unicode Fonts. And there probably aren’t those techies around who understand both font design and Indian Languages well enough to create some beautiful, free fonts for Indian Languages.

Print adopting Unicode is very important for meaningful Unicode adoption for Indian Languages. Where do we start?